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A Quiet Sunday at Kawai Kanjiro’s House in Kyoto

7 hours ago
2 min read

During my trip to Kyoto for KYOPO (Kyoto Pottery Expo), a ceramic artist from ChinChin Pottery recommended visiting the Kawai Kanjiro’s House nearby. She told me it was a place every ceramic artist should visit, so my husband and I decided to spend a Sunday morning there.

As soon as we stepped inside, we felt a sense of calm. Kyoto was crowded with tourists everyday, but this place offered a welcome moment of quiet. Rather than feeling like a traditional museum, it felt more like visiting the home of a friend with an extraordinary sense of taste and an appreciation for beautiful things.


Every corner of the house held something worth noticing. The furniture, ceramics, sculptures, wooden objects, and other artworks came together in a way that felt natural and effortless. Nothing seemed overly arranged, yet everything had its own presence. The space reflected a

distinctive aesthetic that felt both deeply personal and timeless.


I was especially drawn to the garden and the kiln area. Knowing that the house and its facilities had been preserved from the time when Kawai Kanjiro lived and worked there made the experience even more meaningful. The climbing kiln and the surrounding workspace offered a glimpse into the everyday life of a ceramic artist from another time. It was moving to stand in a place where pottery was not simply an art form, but an integral part of daily life.

Kawai Kanjiro (河井寬次郎) (1890–1966) was a prominent ceramic artist associated with the Mingei movement ( 民藝運動 ), which celebrated the beauty of everyday objects and traditionl crafts. His home reflects this philosophy beautifully. Art, craftsmanship, furniture, and daily living seem to exist together without clear boundaries. Walking through the rooms, I found myself thinking about how the spaces we live and work in can shape our creativity, and how beauty can be found in objects made for ordinary use.


As a ceramic artist, I found this visit particularly inspiring. Beyond the works themselves, it was the atmosphere of the house that stayed with me: the thoughtful details, the warmth of natural materials, and the sense that every object had been chosen or made with care. It reminded me that making ceramics is not only about creating individual pieces, but also about the way we see the world and bring that sensibility into everyday life.

If you are interested in ceramics, craftsmanship, or architecture, I wholeheartedly recommend visiting Kawai Kanjiro’s House when you are in Kyoto. Even if you are not familiar with his work, it is a wonderful place to slow down, appreciate the beauty of a thoughtfully lived-in space, and experience a quieter side of the city.

For us, it was one of those visits that leaves a lasting impression, not because it was grand or spectacular, but because of its quiet beauty and the feeling of being welcomed into someone’s world.


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